That said, PART II doesn’t have quite the emotional heft and excitement of the seventh book’s ending.
The final chapter to Harry Potter’s adventures contains some of the most exciting, heartfelt moments in the whole series. Eventually, the trail leads back to their school, Hogwarts, where the final showdown between Harry and Voldermort occurs. If they can destroy these parts of Voldermort’s soul, they have a good chance of killing Voldermort himself for good. Voldemort uses these hidden objects to re-construct his snake-like body multiple times. Potter’s Watch – a radio program that tells the truth and opposes propaganda.ĭeathly Hallows are three ancient artifacts: Elder Wand, Resurrection Stone, and Invisibility Cloak that have individual properties and grant unusual abilities to the owner.HARRY POTTER AND THE DEATHLY HALLOWS PART II opens with Harry Potter and his two friends, Ron and Hermione, tracking down another of the special objects that contains parts of the evil sorcerer Voldemort’s dark soul.“Quibbler” – a media company defending the latter.The Daily Prophet is a newspaper trying to frame the wizard Dumbledore.There are also bosses including Dolores Umbridge, Nagini and Horcrux, the Malfoy family and Bellatrix Lestrange. The gameplay is designed according to all the rules of action-adventure: you take turns controlling three protagonists, explore the levels and fight enemies with a magic wand and magic spells.Įnemies are presented in the form of game wardens dementors Acromantuls, Infernals, Doxes and Rattles. The young wizard Harry Potter, having enlisted the company of loyal friends – Ron and Hermione, is trying to find Horcrux (Horcrux) – magical stones containing part of Voldemort’s soul, safely hidden from human eyes, as they can help, to kill the one-who-cannot-call. The plot tells how the whole world and Hogwarts magic school were captured by the servants of the Dark Lord – the Death Eaters. The game continues the story of the Half-Blood Prince. part One – Adventure game developed under license from David Yates’ painting of the same name.
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